Posts Tagged ‘istandardproducers’

The Notorious B.I.G – A Story To Tell

Tuesday, March 9th, 2010

By: Kristen Teesdale

Ask any hip hop artist in the industry today to list their influences and it’s a good bet that Notorious B.I.G. is among them. 
 
Christopher Wallace was born May 21, 1972 in New York City. When he reached his teenage years, drug epidemics permeated his Brooklyn neighborhood and Wallace found himself entwined in life on the streets. He dropped out of high school and began dealing. After three arrests, Wallace redirected his focus. Assuming the stage name Biggie Smalls, the boy from Brooklyn dedicated more time to his raps. Biggie was already a neighborhood entertainer, but it was his demo tape that catapulted him to new heights.  
 
With little expectation in place, Biggie’s tape was promoted by Mister Cee, a local DJ. The material found its way to A&R executives at Uptown Records and Biggie was signed immediately. When his friend Sean Combs was released from Uptown, Biggie followed. Combs founded Bad Boy Records and signed Wallace to the roster.  
 
While he was making advances in the industry, Wallace’s home life was also growing. His girlfriend gave birth to a daughter in 1993. But his street and financial struggles still plagued him. To support his family, Wallace returned to selling drugs. When Sean Combs discovered this, he forced Wallace to quit dealing. 
 
Biggie began to collaborate with other artists under the name Notorious B.I.G. Following his newly charted success, B.I.G. released his first studio album, Ready to Die, which saw immediate success among peers and on the charts. During a time when rap was synonymous with the West Coast, B.I.G. managed to refocus fans’ attention to the streets of the East. Its lead track, “Juicy,” jumped to #27 on the charts. The two subsequent singles released, “Big Poppa” and “One More Chance,” garnered increased popularity as they rose to #1 on U.S. charts and became best selling singles. B.I.G.’s smooth flow and semi-autobiographical lyrics resonated with listeners. The rapper famously married unedited, gritty content with pop-friendly beats and the combination expanded his audience exponentially. B.I.G. broke boundaries as his first album found mainstream popularity in spite of, or perhaps as a result of, its dark and menacing material. 
 
Wallace rose to intense levels of personal and professional success in 1995 and 1996. In the midst of reaping almost unparalleled fame and celebrity, he met and married Faith Evans with whom he had his first son. But success was priced high for the East Coast artist. B.I.G. found himself wrapped up in a feud with former friend and associate Tupac Shakur. When Shakur was shot in a robbery attempt, he blamed Wallace, Combs and their affiliates. After the feud was ignited, Shakur signed to Death Row Records. The battle consumed Death Row and Bad Boy as they represented their respective coasts and fan base. The opposition culminated in the deaths of Tupac Shakur and ultimately Notorious B.I.G. a year later. While neither of the crimes has been solved, many parties have theories in which the men’s rivalry is to blame.  
 
Christopher Wallace died just before the release of his second studio album, ominously titled Life After Death. The album received critical praise and commercial success and was one of just three rap albums to receive the honor of diamond certification in record sales by the RIAA. The success realized by the 1997 release cemented B.I.G. as a major influence in hip hop and in the industry.  
 
Since his death, many artists have sampled lyrics and beats from Biggie’s work. Notorious B.I.G.’s influences can be heard in music released by friends who had the opportunity to work with him and fans who are just beginning their journey in the rap game. B.I.G. burst onto the scene during a volatile time and chose to portray his tense, cold reality in rhymes. He paved the way for artists that followed and popularized a genre, sharing his life experiences, good and bad, with no apologies. 
 
Notorious B.I.G.’s ability to translate life into lyrics made him a household name. His capacity for telling the story of the struggle in an unforgiving, unrelenting city helped him portray the reality so many endured. His aptitude for honesty broke the boundaries that others feared to cross. As an artist, B.I.G. is survived by his flow, his talent and the musical legacy he left behind. As a person, Christopher Wallace is survived by his family, his friends and the artists that continue to be influenced by his work. His unbridled skill made him a hit-maker. His untimely passing and thwarted potential made him a legend.

Track by Track The Notorious B.I.G – ‘Life After Death’

Tuesday, March 9th, 2010

Track by Track
The Notorious B.I.G – Life After Death
Review by: Frankie P

Life After Death – The Notorious BIG

There is not much left to say about Life After Death. This album will
forever hold its place in history as arguably one of the best hip hop
albums of all time. Lyrically, no one could touch Bigge, and still
cant… Its hard to believe he was just getting started in the game
when he left us.

For this special edition of the iStandard track by track, lets break
down the producers and samples that made this a timeless piece of art
and music history.

DISC 1

Life After Death (Intro) – Produced by Sean “Puffy” Combs & Steven
“Stevie J” Jordan for The Hitmen (Contains a sample of “This
Masquerade” by George Benson)

This set a great tone for the feel of the album. Props to Stevie J for
taking this George Benson sample and incorporating live
instrumentation in the mix. This intro still gives me chills years
later…

Somebody’s Gotta Die – Produced by Nashiem Myrick, Carlos “6 July”
Broady & Sean “Puffy” Combs for The Hitmen (Contains a sample of “In
the Rain” by The Dramatics)

This sample has been used over and over again but this one is special.
The Hitmen turned this track into a great back drop for what seems
like a movie narrated bv Big.

Hypnotize – Produced by Deric “D-Dot” Angelettie, Ron “Amen-Ra”
Lawrence & Sean “Puffy” Combs for The Hitmen (Contains a sample of
“Rise” by Herb Alpert, Contains a sample of “Young Lust” by Pink
Floyd, Interpolates “La Di Da Di” by Slick Rick & Doug E. Fresh)

Big shout out to D-Dot and Amen Ra for being brave enough to flip
this. Hypnontize had a very simple sample with a great feel… This
joint was a smash!

Kick in the Door - Produced by DJ Premier for Works of Mart
Productions,Inc (Contains a sample of “I Put A Spell On You” by
Screamin’ Jay Hawkins)

Another classic Premo track. He did a great job flipping this Jay
Hawkins track. Premos drums on this track were MEAN!

Fuck You Tonight ft. R Kelly – Daron Jones & Sean “Puffy” Combs for The Hitmen

One of my favorite tracks on the album and one of the few without a
sample. R Kelly was untouchable back then. This def. goes down as one
of the best collaborations Biggie did. That Lead riff is undeniable
heat.

Last Day ft. The Lox – Produced by Havoc, co-produced by Sean “Puffy”
Combs & Stevie J for The Hitmen

Another Dope track with no sample. Props to Havoc for getting on the
album. Lyrically, this track is amazing. The production is also great.

I Love the Dough ft. Jay Z – Produced by Easy Mo Bee for Bee Mo Easy
Productions,Inc. (Contains a sample of *”I Love You More” by Rene &
Angela, Synth lead based on “Do You Think I’m Sexy” by Rod Stewart)

Not one of favorite tracks on the album but The sample is dope. Easy
Mo Bee flips this Rene & Angela classic. I know am going to catch some
hate on this but I never really liked Jay Z’s verse on this one…

What’s Beef - Produced by Nashiem Myrick & Carlos “6 July” Broady for
the Hitmen, co-produced by Paragon (Contains a sample of I’m Glad
You’re Mine by Al Green, Contains a sample of Can You Rock It Like
This by Run DMC)

This might be my favorite song on the album. Nashiem & 6 July borrowed
classic drums from Al Green and the melody from Run DMC.

B.I.G. Interlude - Produced by The Notorious B.I.G. & Deric “D-Dot”
Angelettie for The Hitmen (Contains a sample of *”P.S.K. What Does It
Mean?” by Schooly D)

Another classic drum break. This is def. one of the more popular
tracks on the album. Biggies flow was on point on this one. The reverb
on the vocals added a great effect to the track overall.

Mo Money Mo Problems ft. Puffy, Mase, and Kelly Price – Produced by
Steven “Stevie J” Jordan & Sean “Puffy” Combs for The Hitmen (Contains
a sample of *”I’m Coming Out” by Diana Ross)

Stevie J murdered this one. The clearance check must of hurt
though…lol. What more can be said about “Mo money, mo problems”.
This was a classic moment is pop culture/ hip hop history.

Niggas Bleed - Produced by Nashiem Myrick, Carlos “6 July” Broady &
Steven “Stevie J” Jordan for The Hitmen (Contains a sample of “Hey Who
Really Cares” by The Whispers)

I love this song by The Whispers. The Hitmen could have approached
this sample a million ways but they did a great job. I love the eq and
reverb on the snare. It opens up the beat so it doesnt sound as dry.

I Got a Story to Tell – Produced by Buckwild for Kurrup Money
Entertainment, co-produced by Chucky Thompson & Sean “Puffy” Combs for
The Hitmen (Contains a sample of *”I’m Glad You’re Mine” by Al Green)

Shout out to Buck! This is another highlight on the album. Once again,
Al Greens’ “I’m Glad Your Mine” was used. Biggie shows off his story
telling skills over a classic instrumental.

DISC 2

Notorious Thugs ft. Bone Thugs-N-Harmony – Produced by Steven “Stevie
J” Jordan & Sean “Puffy” Combs for The Hitmen (Contains a sample of
“More Than Love” by Ohio Players)

Miss U ft. 112 - Produced by Kay Gee (Contains a sample of “Missing
You” by Diana Ross)

Here we get Diana Ross sampled for the second time on the album. Kay
Gee did a great job on this beat. I love the intro.

Another ft. Lil’ Kim – Produced by Steven “Stevie J” Jordan & Sean
“Puffy” Combs for The Hitmen (Contains a sample and interpolation of
“Another Man” by Barbara Mason)

Goin Back to Cali - Produced by Easy Mo Bee for Bee Mo Easy
Productions,Inc. (Contains a sample of “More Bounce To The Ounce” by
Zapp)

Classic Easy Mo. I loved the way he flipped this one.

Ten Crack Commandments – Produced by DJ Premier for Works of Mart
Productions,Inc. (Contains a sample of “Valantra” by Les McCann,
Contains a sample of “Shut ‘Em Down” by Public Enemy)

Arguably, one of the hardest hip hop tracks of all time! Premo made a
masterpiece with this Les McCann sample. I dont think any other
producer would have approached that sample the way he did.

Playa Hater - Produced by Sean “Puffy” Combs & Steven “Stevie J”
Jordan for The Hitmen (Contains a sample of “Hey! Love” by The
Delfonics)

Another one of my favortites. The beat is crazy and Biggie gets to
show his funny character side signing on the track

Nasty Boy – Produced by Sean “Puffy” Combs & Steven “Stevie J” Jordan
for The Hitmen (Contains a sample of “Cavern” by Liquid Liquid)

Stevie J was all over this album. He did a great job of balancing
party and street tracks. This one one of the tracks the girls loved.
Great sample.

Sky’s the Limit ft. 112 – Produced by Clark Kent (Contains a sample of
“Keep On” by D. Train, Contains a sample of “My Flame” by Bobby
Caldwell)

I love the original version by Bobby Caldwell. MAKE SURE YOU LISTEN
ALL THE WAY THROUGH!

The World Is Filled… ft. Carl Thomas, Puff Daddy & Too Short -
Produced by Deric “D-Dot” Angelettie & Sean “Puffy” Combs for The
Hitmen (Contains a sample of “Space Talk” by Asha Puthli)

Another banger from D-Dot!

My Downfall ft. DMC – Produced by Carlos “6 July” Broady, Nashiem
Myrick & Sean “Puffy” Combs for The Hitmen (Contains a sample of
“You’re All I Need To Get By” by Marvin Gaye & Tammi Terrell, Contains
a sample of “For The Good Times” by Al Green)

6 July takes uses classic sample ( also used by Method Man and Mary J Blige).

Long Kiss Goodnight – Produced by RZA (Contains a sample of “The
Letter” by Al Green

You’re Nobody (Til Somebody Kills You) ft. Faith Evans – Produced by
Sean “Puffy” Combs & Steven “Stevie J” Jordan for The Hitmen,
co-produced by DJ Enuff & Jiv Poss

Dope outro track and another one without a sample.

Overall – 5 out of 5

I hope you enjoyed the sample breakdown. This was definitly a time in
history that will always be remembered by this album. All the
producers that were a part of this masterpiece are a part of history.

iCrate Diggers: Week #011 by DJ IllSkill

Tuesday, March 9th, 2010
iCrate Diggers: Week #011

Sample:
Patrice Rushen - Remind Me

Sample: The Honey Drippers - Impeach The President

The late great Notorious BIG is the mark many use when considering someone a “great” MC. Biggie as charismatic as he was, had a lazy eye, nasally voice, and weighed over 300 pounds, but that didn’t stop him from gracing the upper echelon class of MC’s. In the mid-late 80’s, honing his skills, a young kid from Brooklyn, BIG would freestyle on the corner
and battle anyone who would step up. What separates Biggie from the rest of the class is that he not only embodied flow and story telling ability but he was a natural!

cause the greatest rapper of all-time died on march 9th

-Canibus


With the help of DJ 50 Grand, Biggie put together a demo that later got passed onto David Mays, founder of Source Magazine. Reef and Matty C who also worked up at the Source were contacted by Puff at Bad Boy Records who at the time was
looking for new talent. Matty C passed Big’s Demo to Puff and he immediately fell in love. Shortly after, a meeting ensued where Puff offered Biggie a deal right
on the spot. Biggie didn’t take Puff seriously and told him everything he needed he just had to work it out with his DJ, who at the time was Mr Cee. Between the time of signing and recording his debut album, Ready To Die, Biggie was expecting his 1st child. Big not convinced Puff’s deal was genuine, returned to the selling drugs down south where he was once arrested.

Eventually the King Of New York returned and pursed his career at Bad Boy.

Enlisting Easy Mo Bee and early members of the Hitmen producer crew Chucky Thompson and Nashiem Myrick, by summer of 94, Ready To Die was near completion. DJ Premier on the verge of his break-out career, also resided in Brooklyn at
the time. Premier, originally from Texas, lived down the block from Biggie in Brooklyn. DJ Premier just got done recording 3 tracks off Nas’s illmatic and was producing Jeru The Damaja’s full length LP. By this time Premier was getting upwards of
$25,000 a beat.

Biggie not only a friend of Premiers, but a fan of his music as well, wanted Premier to be on his album. According to Premier, Biggie was already over budget on the album cost.

Premier also revealed that Biggie begged him for a beat, even if he just had to threw down a sample over some Impeach The President drums, he wanted a Premier track. And that’s exactly what he did. Premier grabbed the Impeach The President drum break and the sample Patrice Rushen “Remind Me” and got busy. Although Premier was getting $25k a track did it out of love for Big and was given $5,000 out of pocket to cover costs. Premier also said that the scratches on the track, the popular R. Kelly “Cause Your Body’s Calling” was done at Big’s request.


The sample Patrice Rushen “Remind Me” was into a bunch of little pieces and re-played into a funky head nodding banger! He flipped it. It sounds nothing like the original. The chorus changes up from the verse which keeps the beat from being monotonous. As for the banging drums, Impeach The President is always a good choice. Premier chopped and replayed them, giving them that “Premier swing” leaving out that reverse hat that you always hear on the loop. Every producer at least once has used “Impeach The President” drum break. Listed below are a few of the more popular uses of it.



Check back next week when we bring you a sample from the forthcoming album Nas and Damien Marley album “Distant Relatives”.Questions or Comments hit me @KoolPapaiLL

Notorious BIG Video Tribute

Tuesday, March 9th, 2010

Biggie Freestyle #1 [On Funk Master Flex's radio show in '94']

Biggie Freestyle #2 [At Age 17]

Biggie Freestyle #3 [With 2Pac]

Biggie Freestyle #4 [Where Brooklyn At]

Nasty Girl ft. Diddy, Jagged Edge, and Nelly [Prod. by Jazzy Phae]

Notorious BIG Interview #1 [With Joe Clair Part I]

Notorious B.I.G Interview #2 [From The Show]

Notorious BIG Interview #3

Notorious BIG Interview #4 [With Joe Clair Part II]

Notorious BIG Interview #5 [The Last Interview]

Donny Goines Speaks on the Sound Quality on his EP “20X”

Tuesday, March 9th, 2010